As one of the most traditional pop bands of the new wave, Squeeze provided one of the links between classic British guitar pop and post-punk. Inspired heavily by the Beatles and the Kinks, Squeeze was the vehicle for the songwriting of Chris Difford and Glenn Tilbrook, who were hailed as the heirs to Lennon and McCartney's throne during their heyday in the early '80s. Unlike Lennon and McCartney, the partnership between Difford and Tilbrook was a genuine collaboration, with the former writing the lyrics and the latter providing the music. Squeeze never came close to matching the popularity of the Beatles, but the reason for that is part of their charm. Difford and Tilbrook were wry, subtle songwriters that subscribed to traditional pop songwriting values, but subverted them with literate lyrics and clever musical references. While their native Britain warmed to Squeeze immediately, sending singles like "Take Me I'm Yours" and "Up the Junction" into the Top Ten, the band had a difficult time gaining a foothold in the states; they didn't have a U.S. Top 40 hit until 1987, nearly a decade after their debut album. Even if the group never had a hit in the U.S., Squeeze built a dedicated following that stayed with them into the late '90s, and many of their songs -- "Another Nail In My Heart," "Pulling Mussels (From the Shell)," "Tempted," "Black Coffee In Bed" -- became pop classics of the new wave era, as the platinum status of their compilation Singles 45's and Under indicates.